Amanti sotto l'ombrello

Biography of Marco Lodola Artist

Marco Lodola was born in Dorno, in the province of Pavia, on 4 April 1955. He dedicated himself to art right from the start, deciding to focus his studies on this subject. In fact, Marco Lodola first studied at the Academy of Fine Arts in Florence and then at the Academy of Fine Arts in Milan.

Starting from the 1980s, Marco Lodola joined the movement called Nuovo Futurismo. From this moment on, the figure of Lodola the artist began to assert itself on the Italian and international scene. Over the following years, Marco Lodola will be engaged in a flourishing artistic production that will lead him to be one of the leading contemporary Italian artists. It is no coincidence that Lodola Marco took part in numerous exhibitions held in all parts of the world such as Italy, Beijing, Hong Kong, Singapore and New York.

During his long artistic career, Marco Lodola collaborates both with important musicians, such as Max Pezzali and Jovanotti, and with the world of cinema and television, creating stage sets.

Marco Lodola and the Nuovo Futurismo

Marco Lodola is considered, together with Dario Brevi, to be one of the founders of the artistic current known as Nuovo Futurismo.

Nuovo Futurismo stands as a continuation of Futurism, an artistic current that developed in the early 20th century.

In the eyes of the Futurist artists, the events that had affected not only Italy but also Europe had made all those ideological bases that had characterised the 19th century extremely obsolete. This gave rise to the need to progress, to move forward, to look to the future and no longer lock oneself in a past that was now dead. And this applies to art as well as to every sphere of life. Supporting these changes are also technological innovations and, in particular, the invention of the machine.

This, understood as an emblem of speed, fascinated artists who began to create works with speed as their subject. Speed, dynamism, progress and flowing time are therefore the salient features of Futurism.

The Nuovo Futurism therefore follows in this wake, taking the themes of Futurism and reworking them in a contemporary key. In particular, the artists focus their research on the concept of modernity and progress through the use of elements such as comic strips, advertising and mass media, as already done by the Pop artists, giving the works an entertaining and playful tone.